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martes, 2 de octubre de 2018

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Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in each of the eight directions. In some cases I have marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we will no longer have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.


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such focus on Symmetric figures such as stars from which flowers can be folded away. Irregular figures have appeared occasionally, however the most extreme form occur in Paper Magic with Rolf Harris's models. Silhouettes do not have restrictions in the Origami sense and are of course closely related to paper slicing. In its simplest form cuts are made before to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami Christmas Tree Origami.

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Uchiyama is reported as getting a patent in 1908 for 'KOKO'. style origami which appears to be the same in principle. Japanese books are filled with slitting to achieve hearing or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Circus pony in which 2 cuts are made, one for the ears and the other to give enough points for the thighs. Rohm folded his Festival pony without cuts but the technique is then far more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the Origami Flower Ball other to avoid the complexities of a model achieved exclusively by folding.


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Within a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modelling particularly if foil has been used and one can make sure of the material remaining in place. A modern example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3 DIMENSIONAL insists on any modeling following the folding The technique of wetting the paper appears to be Japanese in origin was demonstrated Mon Bateau De Papier Musique by Yoshizawa at a Convention in Liverpool. Another method of damp moulding using paste in the preparation is discussed by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and are approaching statue rather than Origami.


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The associated arts are Weaving and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of document each folded to represent some part of the pet and then brought with each other. The idea may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Magic. Recently kits have made an appearance for folding a dragon from a number of potager of different sizes.


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Inside the most extreme mixtures Dessin De Bateau En Papier of water and document we are, of course , in the world of fun which is plainly an open-ended art. DecoratingThe simplest step from your single coloring is one side coloured and one white or plain. A great offer of modern Origami uses this colour difference. A delightful example is Mary Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which count after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of Bateau En Papier Facile decoration occurs in Japanese papers which are already printed with a design ideal for a unique model. The end of this process is evidently the decoration of the final model and therefore into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then ribbon and finally string.




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The cutting out of holes and so on. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a technique which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri (which means crest-making). The particular last step in the slitting or cutting is paper-cutting, some of the finest examples are likely from China and plainly here we have an open-ended Talent. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form we may use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. Probably the most unusual form of 'display mechanics' that I am acquainted with is by Toyoaki Kawai.

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